Tag Archives: comedy

Tonight’s the Night: My New Play is Performed

It all happens tonight!  I hope to see you there.

Playwright Steven G. Martin says in a recommendation:   Sophisticated humor — through wit, wordplay, and charm — infuse this light, one-act comedy set in 1950s New York. Hatfield clearly understands and enjoys the high-brow charm of shows of this period, and has created a group of characters — world wearing magazine writers, a misled wife, and a tortured editor — that fits right in. Stylish and enchanting. 

PREMIERE OF LILY BLOSSOMS, OR MODERN SUBDIVISION ZONING IN THE PRESENT DAY, AT THE ARONOFF CENTER, JANUARY 14

The Cincinnati Playwrights Initiative New Voices series presents the premiere of Lily Blossoms, or Modern Subdivision Zoning in the Present Day by Greg Hatfield, in a staged reading, on Tuesday, January 14th, 2020, at 7:30 p.m., at the Fifth Third Bank Theater in the Aronoff Center for the Arts, 650 Walnut Street, in Downtown Cincinnati.

This sophisticated comedy is set in New York City in 1954. Lily Palmer and Theodore Barkley, the star writers for Manhattan magazine, are the very best of friends. Hating their present assignments, they decide to mix things up a bit to the consternation of their editor. Barkley has also been moonlighting as an actor and gets an offer from a movie studio in Hollywood. This could break up the team and his marriage.

Cincinnati community theater lovers will recognize this cast: Cathy Jo Judge, Darren Lee, Peggy Allen and Chris Bishop, as all are very familiar faces throughout the city, working consistently on plays and musicals with every theater company.

The playwright and director, Greg Hatfield, is no slouch, either. For years, he was a writer, actor and director in Dr. Browndog’s Moneytime, a theatrical comedy troupe in Cincinnati. His other plays have been performed by companies in Cincinnati, Kansas City, Syracuse and Pittsburgh.

Tickets are now on sale at https://www.cincinnatiarts.org/events/detail/cpi-ghost-girl or the Aronoff Box Office. Tickets are $10.00. There is another play, The Ghost Girl by Ariel Rodgers, also performed that night.

For more information, go to cincinnatiarts.org or cincyplaywrights.org.

PREMIERE OF LILY BLOSSOMS, OR MODERN SUBDIVISION ZONING IN THE PRESENT DAY, AT THE ARONOFF CENTER, JANUARY 14

FOR IMMEDIATE RELEASE

For more information, contact
Greg Hatfield, greghatfield@yahoo.com

PREMIER OF LILY BLOSSOMS, OR MODERN SUBDIVISION ZONING IN THE PRESENT DAY, AT THE ARONOFF CENTER, JANUARY 14

The Cincinnati Playwrights Initiative New Voices series presents the premiere of Lily Blossoms, or Modern Subdivision Zoning in the Present Day by Greg Hatfield, in a staged reading, on Tuesday, January 14th, 2020, at 7:30 p.m., at the Fifth Third Bank Theater in the Aronoff Center for the Arts, 650 Walnut Street, in Downtown Cincinnati.

This sophisticated comedy is set in New York City in 1954. Lily Palmer and Theodore Barkley, the star writers for Manhattan magazine, are the very best of friends. Hating their present assignments, they decide to mix things up a bit to the consternation of their editor. Barkley has also been moonlighting as an actor and gets an offer from a movie studio in Hollywood. This could break up the team and his marriage.

Cincinnati community theater lovers will recognize this cast: Cathy Jo Judge, Darren Lee, Peggy Allen and Chris Bishop, as all are very familiar faces throughout the city, working consistently on plays and musicals with every theater company.

The playwright and director, Greg Hatfield, is no slouch, either. For years, he was a writer, actor and director in Dr. Browndog’s Monkeytime, a theatrical comedy troupe in Cincinnati. His other plays have been performed by companies in Cincinnati, Kansas City, Syracuse and Pittsburgh.

Tickets are now on sale at https://www.cincinnatiarts.org/events/detail/cpi-ghost-girl or the Aronoff Box Office. Tickets are $10.00. There is another play, The Ghost Girl by Ariel Rodgers, also performed that night.

For more information, go to cincinnatiarts.org, cincyplaywrights.org and greghatfield.com.

Modern Subdivision Zoning in the Present Day

My comedy monologue, Modern Subdivision Zoning in the Present Day, will be performed as part of “Tales from the Script Festival” from Darkhorse Dramatists, on November 1 and 2, at 8:00 p.m., at the Ti-Ahwaga Performing Arts Center, in Owega, New York.

Adam Ruff performs the monologue, directed by Cat Robinson.

http://www.tiahwaga.com

Cincinnati audiences will get a chance to see it on Tuesday, January 14, 2020, when the Cincinnati Playwrights Initiative presents my play, Lily Blossoms, or Modern Subdivision Zoning in the Present Day, at the Fifth Third Bank Theater in the Aronoff Center. More details on that to come.

 

modern sub

So, What’s Been Going On: An Update

I feel like I’m close to finishing some of the essays I’ve been working on.  Just to give you a preview of what is in store for my readers, I have the following in various stages of completion:

A Short History of the Dublin Gate Theater, featuring the founders, Hilton Edwards and Michael MacLiammoir.  This has been all-consuming lately, with the reasons detailed in my essay.  Founded in 1928, in Dublin, Ireland, the Gate is one of the longest-consecutive running theaters in the world.  It’s difficult writing about productions and actors you’ve never personally seen (except maybe in filmed clips), but I hope to get across the passion and brilliance of both Edwards and MacLiammoir, and all the paths that lead to them.

What Moss Hart Means to Me.  Playwright and director Moss Hart was a very talented man, known for being George S. Kaufman’s most successful collaborator.  He certainly influenced my life and Hart has seen a bit of a renaissance lately with the production of his autobiography, Act One, on Broadway, so I’ll take a look at his career and life.

I’m trying to figure out a couple of stories about, well, me.  I’d like to write about a play I directed in college, Neil Simon’s The Gingerbread Lady, because it was memorable and interesting, I think.  I might also write about my time in comedy, starting with The Act, my duo with Scott Levy.  I may also publish some unpublished work, including parts of my novel The Dick Beaks Show, or sketches that didn’t make the cut for one reason or another.

This is all part of the bigger picture leading to my memoirs called Scrap Heap.

In the meantime, it’s the start of the holiday season, so my timeless Bing Crosby article gets shoved to the front.

See you soon.

G