Category Archives: Comedy

Tonight’s the Night: My New Play is Performed

It all happens tonight!  I hope to see you there.

Playwright Steven G. Martin says in a recommendation:   Sophisticated humor — through wit, wordplay, and charm — infuse this light, one-act comedy set in 1950s New York. Hatfield clearly understands and enjoys the high-brow charm of shows of this period, and has created a group of characters — world wearing magazine writers, a misled wife, and a tortured editor — that fits right in. Stylish and enchanting. 

PREMIERE OF LILY BLOSSOMS, OR MODERN SUBDIVISION ZONING IN THE PRESENT DAY, AT THE ARONOFF CENTER, JANUARY 14

The Cincinnati Playwrights Initiative New Voices series presents the premiere of Lily Blossoms, or Modern Subdivision Zoning in the Present Day by Greg Hatfield, in a staged reading, on Tuesday, January 14th, 2020, at 7:30 p.m., at the Fifth Third Bank Theater in the Aronoff Center for the Arts, 650 Walnut Street, in Downtown Cincinnati.

This sophisticated comedy is set in New York City in 1954. Lily Palmer and Theodore Barkley, the star writers for Manhattan magazine, are the very best of friends. Hating their present assignments, they decide to mix things up a bit to the consternation of their editor. Barkley has also been moonlighting as an actor and gets an offer from a movie studio in Hollywood. This could break up the team and his marriage.

Cincinnati community theater lovers will recognize this cast: Cathy Jo Judge, Darren Lee, Peggy Allen and Chris Bishop, as all are very familiar faces throughout the city, working consistently on plays and musicals with every theater company.

The playwright and director, Greg Hatfield, is no slouch, either. For years, he was a writer, actor and director in Dr. Browndog’s Moneytime, a theatrical comedy troupe in Cincinnati. His other plays have been performed by companies in Cincinnati, Kansas City, Syracuse and Pittsburgh.

Tickets are now on sale at https://www.cincinnatiarts.org/events/detail/cpi-ghost-girl or the Aronoff Box Office. Tickets are $10.00. There is another play, The Ghost Girl by Ariel Rodgers, also performed that night.

For more information, go to cincinnatiarts.org or cincyplaywrights.org.

PREMIERE OF LILY BLOSSOMS, OR MODERN SUBDIVISION ZONING IN THE PRESENT DAY, AT THE ARONOFF CENTER, JANUARY 14

FOR IMMEDIATE RELEASE

For more information, contact
Greg Hatfield, greghatfield@yahoo.com

PREMIER OF LILY BLOSSOMS, OR MODERN SUBDIVISION ZONING IN THE PRESENT DAY, AT THE ARONOFF CENTER, JANUARY 14

The Cincinnati Playwrights Initiative New Voices series presents the premiere of Lily Blossoms, or Modern Subdivision Zoning in the Present Day by Greg Hatfield, in a staged reading, on Tuesday, January 14th, 2020, at 7:30 p.m., at the Fifth Third Bank Theater in the Aronoff Center for the Arts, 650 Walnut Street, in Downtown Cincinnati.

This sophisticated comedy is set in New York City in 1954. Lily Palmer and Theodore Barkley, the star writers for Manhattan magazine, are the very best of friends. Hating their present assignments, they decide to mix things up a bit to the consternation of their editor. Barkley has also been moonlighting as an actor and gets an offer from a movie studio in Hollywood. This could break up the team and his marriage.

Cincinnati community theater lovers will recognize this cast: Cathy Jo Judge, Darren Lee, Peggy Allen and Chris Bishop, as all are very familiar faces throughout the city, working consistently on plays and musicals with every theater company.

The playwright and director, Greg Hatfield, is no slouch, either. For years, he was a writer, actor and director in Dr. Browndog’s Monkeytime, a theatrical comedy troupe in Cincinnati. His other plays have been performed by companies in Cincinnati, Kansas City, Syracuse and Pittsburgh.

Tickets are now on sale at https://www.cincinnatiarts.org/events/detail/cpi-ghost-girl or the Aronoff Box Office. Tickets are $10.00. There is another play, The Ghost Girl by Ariel Rodgers, also performed that night.

For more information, go to cincinnatiarts.org, cincyplaywrights.org and greghatfield.com.

Modern Subdivision Zoning in the Present Day

My comedy monologue, Modern Subdivision Zoning in the Present Day, will be performed as part of “Tales from the Script Festival” from Darkhorse Dramatists, on November 1 and 2, at 8:00 p.m., at the Ti-Ahwaga Performing Arts Center, in Owega, New York.

Adam Ruff performs the monologue, directed by Cat Robinson.

http://www.tiahwaga.com

Cincinnati audiences will get a chance to see it on Tuesday, January 14, 2020, when the Cincinnati Playwrights Initiative presents my play, Lily Blossoms, or Modern Subdivision Zoning in the Present Day, at the Fifth Third Bank Theater in the Aronoff Center. More details on that to come.

 

modern sub

What’s Going On?

Hi everyone.  We had a great summer.  My play, The Ten Minute Play (with a Nice Picture of Jimmy Carter), played to great response at the Drama Workshop in Cheviot, Ohio (my hometown, or close to it in Cincinnati) in June.  I also directed a play, Lessons by Teri Foltz, that was well-received.  I wrote at length about these two plays in an earlier blog post.

Since then, I’ve been busy.  I’ve written another play, The Sequel to Citizen Kane.  The play is about an agent and a director who think they have the sequel rights to the greatest film ever made.  It’s a comedy one-act.

I should have some news soon about a production of another play of mine coming up in November.  I can’t reveal anything yet, but, New York State, lookout.

I can say that my play, Lily Blossoms, or Modern Subdivision Zoning in the Present Day, will have a staged reading on Tuesday, January 14, 2020, at the  Aronoff Center’s Fifth Third Theater, in Downtown Cincinnati.  Also on the bill is The Ghost Girl by Ariel Rodgers.  I’ll have more info on this as we get closer to show date.

Early fall is the time when playwrights submit to every playwriting festival, calls for submissions and any opportunity to get the work out there.  That in and of itself is a full-time job, especially for playwrights that don’t have an agent (most of us, I think).  But, it’s a necessity, so you do it.  Thankfully, we do support each other with our writing communities on social media, so that helps.

If you’re a new visitor to my page, thank you for checking it out.  Let me know if you need anything.  Sign up for alerts.  I think it’s going to be a busy season.

Greg

Tickets Now On Sale!

Tickets are now on sale for The Drama Workshop’s Home Brew Theater show June 7, 8 and 9, at TDW in Cheviot. This show consists of ten 10 minute plays. I have a play I wrote in it called The Ten Minute Play (with a Nice Picture of Jimmy Carter) and I’m directing The Lesson by Teri Foltz. This is going to be a fun evening, so I hope to see many of you there.

 

Home Brew

The Gingerbread Lady

I will be directing the play, Lessons, by Teri Foltz, for The Drama Workshop’s Home Brew Festival, featuring productions of short plays by local authors. The show dates are June 7, 8 and 9 at the Glenmore Playhouse in Cheviot.

My own play, The Ten Minute Play (with a Nice Picture of Jimmy Carter), will also be part of the festival.

In the Summer of 1974, I directed my first full-length play, The Gingerbread Lady by Neil Simon. One of Simon’s more dark comedies, TGL is the story of Evy, a singer, whose career and life is destroyed by her drinking.

During the Spring of 1974, I was a student at Northern Kentucky University, as a theater major. I had had a lot of fun directing Edward Albee’s The Sandbox and a few scenes form other plays in classes, including a great version of the closing scene of Who’s Afraid of Virginia Woolf?

Jennifer Burkhart was one of the best actresses at NKU and frustrated because she couldn’t find a part that she wanted to play. She brought me a copy of the play and asked if I would look at it and, if I liked it, we could go to the theater head, Bill Parsons, and see if we could do it as summer show. I did like it and pitched it to Dr. Parsons, who agreed to give us a little money to put it on.

So, I was part of great group of friends with theater sound, lighting, props and production experience, so there was no doubt that they were going work on it. This was going to be the first totally student produced show at in NKU’s history. In Nunn Hall, there was a small theater, holding around 150, so after Spring semester was out, we moved in and began to work on the show.

I don’t even think we had auditions. Jennifer was going to be Evy, after all, it was her idea. I cast friends in the other roles. Greg Carstens as Jimmy, Frankie Banta as Polly, Susan Rogers as Tory, Mike Salzman as Manuel and Jerry Helm as Lou.

Mike, Jerry, Debby Wolff and me practically lived in that theater for the two months leading up to the show. Debby was our props mistress and we had a great looking set, designed by Jerry. We even had running water in the set kitchen.

We had some anxieties throughout the rehearsals. Nerves came out. It was a big show, after all, with nuances that I don’t know if we were successful in presenting, but we had fun, that I do remember.

A Recommendation for My New Play

I have a new play.  It’s called Lily Blossoms or Modern Subdivision Zoning for the Present Day.  It’s a one-act comedy.  Recently, a playwright/reader on New Play Exchange, a website where playwrights can upload their plays and theatre managers, artistic directors, etc., can find new plays to produce.

The play is set in 1954, in New York, and features writers Lily Palmer and Theodore Barkley, who work for Manhattan magazine. But, things will change once Barkley gets an offer from a movie studio and has to move to California.

This is the season when theatre companies ask for submissions and I wanted to have a new play ready to submit.  I worked on this play in November and December and finished it early January.  I like it.  It’s funny and the characters are among my favorites.  I even got to name drop a favorite character from one of my other plays.

This recommendation is from Steven G. Martin, a fellow playwright:

 Sophisticated humor — through wit, wordplay, and charm — infuse this light, one-act comedy set in 1950s New York. Hatfield clearly understands and enjoys the high-brow charm of shows of this period, and has created a group of characters — world wearing magazine writers, a misled wife, and a tortured editor — that fits right in. Stylish and enchanting. 

If you see this post and know a theatrical producer, please pass this along.  Hopefully, a company will like the play and decide to produce it.

2018 was a good year for me, professionally.  Two of my plays, The Great Stalinski and The Ten Minute Play (With a Nice Picture of Jimmy Carter), received readings. in Kansas City and Pittsburgh, respectively.   Another play, Mundy Tuesday Friday, was a finalist for a theatre company in Virginia.

2019 is off to a good start, too.  I’ll have some news a bit later on about some theatrical work I’m doing in Cincinnati.

Play Reading of The Great Stalinski

My play, The Great Stalinski, will be given a reading by the Pittsburgh New Works Reading Series, on Monday, November 5.

The Reading Series will be be held at Higher Voice Studios, 144 E Main St, Carnegie, PA 15106, at 7:00 p.m.  Their website is https://pittsburghnewworks.org/reading-series/

The Great Stalinski was selected as a finalist for the Pittsburgh New Works Festival in 2018, but just didn’t make the final cut of 18 produced plays.  Out of hundreds of submissions, my play and about 39 others were finalists.  The Reading Series is taking the plays that didn’t make it and giving them a reading over the course of the winter with local actors.

Of course I’m thrilled to be included.

The Great Stalinski is a personal favorite of my plays, as it started what I call “The Cabot Trilogy.”  Let me explain:  The play is about the third generation of Cabot actors who are gathered together for the funeral the “World’s Greatest Shakespearean Actor,” Gregor Stalinski.  Brothers Jack and Monty and sister Veronica Cabot were close to Stalinski (especially Veronica) and they meet up at Jack’s theater to travel together to the funeral.  The Cabots are theater royalty and the play is really a fun piece about theater history and fame.

So after writing it, that got me to thinking about the other generations of Cabots and I wrote a play about Jack, Monty and Veronica’s parents called Three Sisters in Repertory.  I love that play.  The characters are great.  We meet Charles Cabot, their father, and three sisters, Virginia, Eve and Roz Fleming.  I’m guessing that one of them becomes their mother.  Again, theater history is evident as scenes are played from Pygmalion, Hamlet and The Importance of Being Earnest.

So I had to write a play about the First Generation of Cabots and I wrote the first act of what would become The Cabots of Broadway, where we meet Kate and John Cabot, who start the whole family on a theatrical career.

Act Two is Three Sister in Repertory and Act Three is The Great Stalinski.  I’m really proud of this play and have been sending it out religiously.

As always, my plays are on New Play Exchange.  I’m sorry more of you can’t see or read the plays just yet, but I’m working on it.  It’s hard work.

Some Nice Words About My Ten Minute Play.

So, if you’re a fan of my blog (and maybe you should be), I’ve discovered that earlier in the month a couple of playwrights on the New Play Exchange, where I host my plays hoping that someone will read them and want to produce them, have read my play, The Ten Minute Play (with a Nice Picture of Jimmy Carter).

I am thrilled to say that both liked the play very much and have written some wonderful comments about that are posted on my New Play Exchange profile.

Here’s what they said:

2 Oct. 2018
 I think every writer, but especially those of ten minute plays, can relate to this ten minute play about ten minute plays and writing in general. From explaining what a ten minute play is, to thinking that what we’ve crafted is the best ten minute play ever. sing a picture of Jimmy Carter seems to be about the most ten minute play thing ever. Did I mention this is a ten minute play about ten minute plays? Because it is and I think it might be slightly brilliant. 

 

2 Oct. 2018
 Irreverently funny, Greg Hatfield strikes the right tone with a two-hander reminiscent of the style of May/Nichols. 
Thank you, Everett and Robert.  I really appreciate it.
Everett is hailed as “one of our best new children’s authors” by Heartland Play Publishers, Everett Robert is an award winning author, playwright, actor, and director with over 20 years of experience.  His website is:  http://www.emergencyroomproductions.com
Robert is a playwright with many productions under his belt.
Both men are members of the New Play Exchange.  I had the opportunity to meet both men at the Midwest Dramatists Conference recently, where our plays were given a reading, and their plays stood out among the group.
Thanks again, guys.

What’s New?

So, writing plays is pretty cool.  My one-act play, The Ten Minute Play (With a Nice Picture of Jimmy Carter) has been selected for a reading at the Midwest Dramatist Conference in late September, in Kansas City.  I’ll be attending and participating in panels and see my play being performed.

Another one-act play, Mundy Tuesday Friday, was selected over the summer as a Finalist by the Shakespeare in the Burg theater company in Middleburg, Virginia.  Of course, it would have been nice to have the play actually produced, but the director of the company is very nice.  I’ve received several nice rejections for this play from other companies.   One day, somebody’s going to pick this up and stage it.

The biggest news (and I know I’m burying the lede) is that I just finished a full-length play called The Cabots of Broadway.  It’s a comedy about three generations of actors.  Each act is about one generation and how they became the First Family of the Theater.  I’ve been submitting it to theater festivals around the country in the hopes that someone loves it and wants to do it.   I love it.  It’s my best work so far.

All of my plays ( I have several)  are available on New Play Exchange (https://newplayexchange.org/users/14397/greg-hatfield) under my name.

So there you have it.  Updates.  While you’re here, go ahead and read some of the older posts.  The Crosby post is good, as is the Grace Metalious post.  I’m also fond of the Harpo and Dorothy Parker posts.  And if you want to cry a little, The Day the Sheriff Shot My Dog is up your alley.

Thanks for reading.